(I find that, for me, nothing is more motivating than watching a child, whose feet don't even reach the floor when they sit on the piano bench, nail a complicated piece of music. It's the biggest kick in the pants ever.)
I immediately liked it because I'm always drawn to fast pieces where both hands are busy and where the notes fill up the whole space. Wait, I'm probably not saying it right... no rests? That might be a better way to say that in actual musical terms. ;)
I also love that it sounds like the tick-tock of a clock. In fact, it reminds me of another piece I've played er.... tried to play and only gotten halfway through... Le CouCou.
I love how the melody gets effortlessly passed back and forth between the hands. It's just a lot of fun to listen to and I KNEW it would be equally fun to play if I could master it.
Now, one possible advantage (?) of never having taken real lessons is that I basically have no idea what pieces I should or should not be able to play. While I do have a general idea of where I am level-wise, I usually just choose pieces based on how much I enjoy listening to them. Then I either stick with them or I don't, depending on my ratio of motivation to wanting to bang my head on the piano keys.
I did have a moment after I got my hands on the music to this piece where I considered that perhaps it wasn't going to work out between Bach and me this time. Almost immediately, my fingers revolted somewhere around the 6th measure when this mess came on the scene.
I took it with me to my son's piano lesson and his teacher helped me by adding some fingerings and cautioned me to be meticulous and consistent about them because that's how Bach rolls.
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Actual photo of Bach taunting me from the grave |
She also suggested perhaps I should start with the Two-Part Inventions first before I tackled this one, a Three-Part Invention. (She's right, of course, there are 15 Two-Part Inventions and 15 Sinfonias and the Inventions are definitely meant to be learned before the Sinfonias.) So I came home and considered that option for several days...
.... but I am horribly stubborn, so I ignored that sage, professional advice and plowed ahead.
About a week or two in, I could mostly play the first page, not well, mind you, but maybe to like a C+? Naive piano soul that I am, I gleefully started on the second page and that's when things came to a screeching halt.
My video explains the rest....
I made that video about a week ago, and since then, I've improved page 1 and have actually learned page 2, though there are some killer arpeggios involving crossed hands that still trip me up. (WTH Bach? The crossed hands are really just unnecessary punishment.)
So, the actual challenge going forward is to finish the piece by being able to play it beginning to end, no stopping, with the metronome set on 160.
Right now, I can do the first page at that speed no problem, but the second page is at about 132. Honestly, when I have gotten pieces in the past to this point, I've called them good enough and moved on. So this really WILL be a challenge for me. (I'm kind of the queen of "good enough' which is why I have an entire repertoire of pieces that are 80% learned!)
So, welcome! Thanks for joining me. I hope to learn some things about piano and life this year. If nothing else, it should be entertaining watching me laugh at myself, because I'll be doing a lot of that. (and also being irreverent to dead composers.)